A holy child writes in a book in this detail from Bernhard Strigel's Saint Mary Salome and Her Family in the National Gallery of Art (click image to enlarge). I was intrigued by the appearance of the writing in this book, which looks to me like jibberish script. At first I thought these letter-forms were approximating Hebrew, but if that's so then the writing is going in the wrong direction (i.e., the pen is moving left to right, as one does when writing Latin and other languages; Hebrew should go from right to left).
When I took another look at the entire painting online (see image and description here), I realized this child actually identified as SANCTV. IOHANES EWAN. (Saint John the Evangelist) - and his Gospel was actually written in Greek. But the writing doesn't look very much like Greek either.
I guess it doesn't really matter whether the writing is "supposed" to be Greek or Hebrew. It looks like the artist was much more interested in representing the "idea" of a holy writer rather than conveying the accuracy of any particular script. (For another creative use of script in a religious painting, see this earlier posting about upside-down Latin.)
I'm sure I could find other examples of jibberish script throughout the NGA if I really looked around, but here's a similar example from a painting I saw in the Museo dell'Opera del Duomo during a visit to Siena:
I don't remember who this figure is or even the name of the artist, but it's another intriguing example of visually stylized script that lends an aura of authority. Whether it's meant to represent Hebrew or Greek, the symbols here look to me a lot like a older form of Arabic numerals.
Showing posts with label hebrew. Show all posts
Showing posts with label hebrew. Show all posts
Sunday, January 23, 2011
Monday, September 27, 2010
Synagogue to Church (Judeo-Christian Palimpsest)
The building now known as the Tried Stone Church of Christ was once a synagogue. The Southeast Hebrew Congregation was founded on Capitol Hill by Orthodox immigrants from Eastern Europe in 1909, and after World War II this house of worship was built. The congregation relocated to Silver Spring, MD in 1971. When the church acquired this property, the new congregation changed the name of the building but retained the Ten Commandments (inscribed in Hebrew) which were part of the original entrance façade.
Above, a photo from early in 2008 before the entrance sign was changed. How fitting that different periods in the building's history are visible in the layers of stone and brick.
P.S. For a more famous appearance of the Ten Commandments in DC, see this post. See also this torah ark.
Above, a photo from early in 2008 before the entrance sign was changed. How fitting that different periods in the building's history are visible in the layers of stone and brick.
P.S. For a more famous appearance of the Ten Commandments in DC, see this post. See also this torah ark.
Labels:
architecture,
capitol hill,
church,
culture,
hebrew,
jewish,
religion,
synagogue
Wednesday, September 22, 2010
Paris: Neighborhoods (Jewish, Japanese, Latin)
This blog entry goes through a few distinctive neighborhoods in Paris: le Marais (the old Jewish Quarter), le quarter japonais (Japanese Quarter, around la Rue Sainte-Anne), and le quartier latin (Latin Quarter, near the Sorbonne - so called because university scholars used to speak Latin).
Here's a typical storefront in the Marais advertising merchandise in Hebrew and French. Incidentally, the word "Librarie" doesn't mean "library" - it means "bookshop" (the French word for library is "bibliotheque").
This excellent restaurant, "l'As du Fallafel," advertises its signature attractions in Hebrew: falafel (פלפל) and shwarma (השאוורמה). It's worth noting that the origin of falafel is disputed; some would claim it is Arab in origin. Whatever its origin, the food is delicious.
A closer view of the take-out order window reveals playing card aces (the word "As" in the restaurant name means "ace") and the motto of the establishment is "Toujour Imité Jamais Égalé" (Always Imitated, Never Equaled) - a nice jab at all the rival restaurants that have opened up nearby.
Along the Rue Sainte-Anne there's a stretch of Japanese restaurants - here's the menu for Naniwa-Ya, which probably has the best Japanese noodle soup I've ever eaten. The Japanese menu reads in the traditional manner, up-down and left-to-right. Oddly, the menu uses the letters YA rather than the kanji (character) 屋 or や (ya).
On one of the walls inside the Sorbonne I saw this sign advertising a photo competition for an international language study program. "No entiendo" is Spanish for "I don't understand," and the French translation ("Je ne comprends pas") is the URL for the website. I find it ironic that the acronym ESL (English as a Second Language) doesn't need any translation.
Inside one of the bathrooms in the university, some pedantic graffiti. One person demands that the maintenance staff replace the hand towels, and another person corrects the first person's grammatical error, correcting "essuies-main" to the proper French form "essuie-mains" (hand-towels).
Here's a typical storefront in the Marais advertising merchandise in Hebrew and French. Incidentally, the word "Librarie" doesn't mean "library" - it means "bookshop" (the French word for library is "bibliotheque").
This excellent restaurant, "l'As du Fallafel," advertises its signature attractions in Hebrew: falafel (פלפל) and shwarma (השאוורמה). It's worth noting that the origin of falafel is disputed; some would claim it is Arab in origin
Wednesday, September 8, 2010
Florence: Churches and Museums
Now for some more signs from Florence - these all come from churches or museums.
Ascending to the dome of the Duomo. I like the graffiti "conversations" that have ensued around this sign. Note someone has crossed out the name HUGO from the Spanish "Hugo y [and] Laura" and replaced it with LAURA ERIC underneath.
Some writing on the top of the dome of the Duomo. For some reason a lot of Korean and Chinese inscriptions. Nice little acrostic involving the names Alex and Andrew (center).
Writing on walls is, of course, an old practice. Here's a 17th century inscription on the way down.
Ten Commandments motif on the doors exiting the Duomo. You can just make out (most of) the Hebrew text of the first 5 commandments.
The translations inside the crypt of the Medici Chapel are mostly unremarkable - but it did strike me as odd how certain words were in bold. I suppose if you were in a hurry or something this could help you scan the text more efficiently.
Lastly, an idiosyncratic sign in the garden of the Franciscan monastery in Fiesole. The Latin NON EST TOTO SANCTIOR MONS (and Italian equivalent, underneath) mean "in the whole world there is no mountain more holy"). Curiously, the word "welcome" (benvenuto / benvenuta) is grammatically inflected in both its masculine and feminine forms (welcoming the male and female reader equally?). The icons for all the forbidden activities are cute.
Ascending to the dome of the Duomo. I like the graffiti "conversations" that have ensued around this sign. Note someone has crossed out the name HUGO from the Spanish "Hugo y [and] Laura" and replaced it with LAURA ERIC underneath.
Some writing on the top of the dome of the Duomo. For some reason a lot of Korean and Chinese inscriptions. Nice little acrostic involving the names Alex and Andrew (center).
Writing on walls is, of course, an old practice. Here's a 17th century inscription on the way down.
Ten Commandments motif on the doors exiting the Duomo. You can just make out (most of) the Hebrew text of the first 5 commandments.
The translations inside the crypt of the Medici Chapel are mostly unremarkable - but it did strike me as odd how certain words were in bold. I suppose if you were in a hurry or something this could help you scan the text more efficiently.
Lastly, an idiosyncratic sign in the garden of the Franciscan monastery in Fiesole. The Latin NON EST TOTO SANCTIOR MONS (and Italian equivalent, underneath) mean "in the whole world there is no mountain more holy"). Curiously, the word "welcome" (benvenuto / benvenuta) is grammatically inflected in both its masculine and feminine forms (welcoming the male and female reader equally?). The icons for all the forbidden activities are cute.
Wednesday, April 28, 2010
Bar Mitzvah at Temple Micah
About a week ago, I attended the bar mitzvah of the son of one of my colleagues. Here are some images and (language-related) reflections! [Click any image to enlarge.]
Above: scriptural texts, commentaries, and prayerbooks on the shelves in the sanctuary of Temple Micah. The wood panels on the walls are inscribed with sayings from the Tanakh.
Here, excerpts from this day's designated portion of the Torah. The boy (man) of honor read aloud some lovely passages from Leviticus 14 concerning leprosy and bodily fluids. Note the direction of reading in the Hebrew text goes from left to right (see the page numbers at the bottom).
The layout of text in the scriptural commentary books is more complex that just two columns of text (see above). The Hebrew reads right to left, and English left to right, and in the notes you sometimes have to switch directions mid-sentence.
Some of us in attendance were mildly horrified by the glosses on the left hand page of the reading from the Haftarah.
The actual service was quite lengthy - and I have to say I never quite "caught on" trying to follow along in the prayer book. Temple Micah uses the Reform Siddur, and as you can see in the above each page includes the Hebrew text (#2), a phonetic transliteration in Roman letters (#6), an English translation (#7), and accompanying prayers (items on left-hand page). Looking at all theses glosses, finding aids, and text moving in different directions made me feel like I was navigating a complex website! For an informative blog posting on this prayerbook's layout, see this online user's guide (the image above comes from that website).
This was a fantastic experience, and I'm glad I was able to take part in the day's celebrations.
P.S. I was very intrigued by the way the Divine Name appears in the prayerbook. Apparently there are many different practices here, but I noticed that during the services everyone was pronouncing the abbreviated name (written יי ) as "Adonai" (= Lord). For more on the pronunciation and writing of the Divine Name, see this entry in this online Jewish Encyclopedia.
P.P.S. For more on the Divine Name in Hebrew, you might also consult this detailed explanation (strangely enough, from a website for Christians).
Above: scriptural texts, commentaries, and prayerbooks on the shelves in the sanctuary of Temple Micah. The wood panels on the walls are inscribed with sayings from the Tanakh.
Here, excerpts from this day's designated portion of the Torah. The boy (man) of honor read aloud some lovely passages from Leviticus 14 concerning leprosy and bodily fluids. Note the direction of reading in the Hebrew text goes from left to right (see the page numbers at the bottom).
The layout of text in the scriptural commentary books is more complex that just two columns of text (see above). The Hebrew reads right to left, and English left to right, and in the notes you sometimes have to switch directions mid-sentence.
Some of us in attendance were mildly horrified by the glosses on the left hand page of the reading from the Haftarah.
The actual service was quite lengthy - and I have to say I never quite "caught on" trying to follow along in the prayer book. Temple Micah uses the Reform Siddur, and as you can see in the above each page includes the Hebrew text (#2), a phonetic transliteration in Roman letters (#6), an English translation (#7), and accompanying prayers (items on left-hand page). Looking at all theses glosses, finding aids, and text moving in different directions made me feel like I was navigating a complex website! For an informative blog posting on this prayerbook's layout, see this online user's guide (the image above comes from that website).
This was a fantastic experience, and I'm glad I was able to take part in the day's celebrations.
P.S. I was very intrigued by the way the Divine Name appears in the prayerbook. Apparently there are many different practices here, but I noticed that during the services everyone was pronouncing the abbreviated name (written יי ) as "Adonai" (= Lord). For more on the pronunciation and writing of the Divine Name, see this entry in this online Jewish Encyclopedia.
P.P.S. For more on the Divine Name in Hebrew, you might also consult this detailed explanation (strangely enough, from a website for Christians).
Wednesday, November 4, 2009
Live Long and Prosper!
Philadelphia's South 7th Street synagogue was full of Trekkies. Torah ark, late 18th-early 19th century. National Museum of American History.
A piece of artwork at the Supreme Court offers another take on the ten commandments.
P.S. I've been informed that the "Vulcan" salute actually has Jewish origins; Leonard Nimoy (who portrayed Captain Spock) adapted the ברכת כהנים (birkat kohanim), a blessing used in certain services.
Tuesday, October 27, 2009
Chinatown: Hillel

This sign transcribes "Hillel" phonetically as 海 (hǎi) 勒 (lè). At first I thought it was strange that Hebrew was absent from this sign, but I now suspect the "flames" in the background might actually be a very stylized form of the appropriate Hebrew letters (הלל). If so, this is a rare trilingual sign!
Labels:
calligraphy,
chinatown,
chinese,
cultural,
hebrew,
jewish,
multilingual,
religion
Monday, October 26, 2009
Supreme Court: Moses and Tablets

Supreme Court Frieze. Moses' beard covers up "thou shalt not" (לא) on each of these commandments so the text reads "murder" (תרצח), "commit adultery" (תנאף), and "steal" (תגנב).
P.S. For another take on the ten commandments, see this Torah ark.
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