The Language of Flags - US States etc.

This city abounds with flags - and not just in government buildings. In front of Union Station you can see the flags of all 50 states in the order they were admitted into the Union. Above (from L to R), the most recent states (Oklahoma, New Mexico, Arizona, Alaska, and Hawaii), then DC, and finally all the other US territories and commonwealths (Puerto Rico, Guam, American Samoa, US Virgin Islands, and Northern Mariana Islands).

Vexillology, the study of flags, employs an arcane lexicon that ultimately derives from medieval heraldry (see this website for some of this vocabulary). I would describe the Hawaiian flag (just right of center in the photo above) as something like "the British flag in the top-left corner with stripes on the rest of it" but the flag is officially described in these terms:

(1) The Hawaiian flag shall consist of eight horizontal stripes, alternately white, red, blue, etc., beginning at the top, having a jack cantoned in the dexter chief angle next to the point of suspension;

(2) The jack shall consist of a blue field charged with a compound saltire (crossing) of alternate tincture white and red, the white having precedence; a narrow edge of white borders each red side of the saltire;

(3) A red cross bordered with white is charged (placed) over all.
[From The Hawaii Revised Statues, Vol. 1, Ch. 5, Sec. 19 - see here]

The DC flag, above (center), is commonly understood to have heraldic origins (see my earlier posting for a fuller description).

I think that the most attractive use of flags as a decorative motif in a building is in the Kennedy Center. In the grand Hall of Nations, flags appear in alphabetical order by country name. Above, we see Australia (top left) followed by A's and B's.

In the equally-grand Hall of States, the flags are arranged chronologically according to date they were admitted into the Union. The flags begin with Delaware (in the back right) and proceed toward the front of the right-hand wall; they they start up again on the left-hand wall (front left of this photo) and proceed to the end, followed by the US "non-states."

For more on each of the 50 state flags, see this website.

The Language of Flags - DC

Above, the distinctive flag of the District of Columbia. Its stars and stripes evoke the US (federal) flag, but most descriptions say the DC flag design derives from the coat of arms of George Washington's family (see here for more on the flag's origins).

Here's the Washington family shield as it appears in 14th-century stained glass on a window in Selby Abbey, Yorkshire (England). In proper heraldic vocabulary, these design motifs should be designated as "mullets and bars" and not "stars and stripes" (see the last section of this page). For more about the Washington Window at Selby Abbey, see here. For an extensive website exploring the rich legacy of Washington's arms in American culture, see here.

I was trying to find out more about the symbolism of the DC flag but the website on DC symbols wasn't that informative. For what it's worth, I have heard somewhere (was it on a Capitol tour?) that the three stars represent the branches of government (executive, legislative, and judicial) and bars symbolize equality. This could be an urban legend or even some sort of ironic political commentary - since DC residents lack equal legislative representation in Congress (i.e., DC has no voting representative). For more on the DC voting rights issue and how the flag is used on both sides of the issue, see this alternate version of the DC flag and this DC license plate).

London: Churches and Museums

Various items from churches and museums in London.

This sign for the Chinese Church in London features a nicely stylized form of the Chinese word 華 (huá), which means "China" or "Chinese" in most contexts. Here, a "cross" (or Star of Bethlehem) motif is incorporated into the center of the character.

Near the church, in Chinatown, I saw this poster that teaches children the Pinyin romanization scheme for Chinese. Each sound in Mandarin is assigned a corresponding Roman letter. Most of the words chosen are simple, everyday ideas or objects: 大 (dà) = big, large; 土 (tǔ) = earth, dust. I'm confused by the image for for 你 (nǐ) - I always thought it just mean "you."

St. Dunstan in the West is a church that caters to the demographics of its congregation in a variety of ways. Here, an entrance sign asks visitors to pray for peace (in English, French, German, Russian, Greek, and Romanian). Although the church is Anglican, I noticed many (Greek and Romanian) Orthodox icons and motifs inside. The praying hands are, I suppose, German in origin, after Betende Hände by Albrecht Dürer (c. 1508).

All Hallows by the Tower isn't one of London's most famous churches but it's worth a visit (check out the crypt and the brass rubbing center). Some notable people associated with the church include William Penn (baptized here, 1644) John Quincy Adams (married here, 1797), and Thomas More (beheaded near here, 1535).

The crypt underneath the church allows you to view centuries of treasures. The medieval livery companies of London contributed funds to develop this space to display valued artifacts and documents. Appropriately, a French inscription reads "Conservez ce qu'ont vu vos peres" [Safeguard those things upon which your fathers have looked]. Why French? It's the language medieval guilds used in most of their administrative and civic documents.

There are maritime motifs all throughout the church itself (among other things, there's a Mariners Chapel). This heraldic device is the emblem of the old Royal Mail Steam Packet Company, which bore the Latin motto "Per Mare Ubique" [Everywhere By Sea]. What I find most curious is the use of sea horses as supporters for the shield device! Apparently sea horses do appear elsewhere in heraldic insignia but in more imaginative and stylized forms; see this website (scroll to "sea-horse") for other examples.

I end with this curious detail from a medieval comic strip (or "graphic novel") version of the Book of Revelations. This panel depicts Rev. 16:13-16, when the text describes "three unclean spirits like frogs" coming out of the mouth of the False Prophet, Dragon, and Beast. Read (and hear) more about this artwork, with larger image, at this Victoria and Albert Museum website.

Paris: English vs. French

Earlier this summer I saw an exhibit in the Musée de l'Armée about the work of Jean Froissart, a medieval historian who wrote extensively about the Hundred Years' War between England and France (a misnomer, since the war actually lasted over 100 years).

Here's the poster for the exhibition. The title translates as "JOHN FROISSART chronicler of the Hundred Years' War." Note the use of red in the title - this follows the medieval practice of rubrication in manuscripts (i.e., using red letters to signal important textual features like titles or section headings). Colors - particularly red and blue - were used in some interesting ways throughout the exhibit as well.

This medieval manuscript shows the King of England (L, dressed in red, with lions) speaking with the King of France (R, dressed in blue, with fleur-de-lis motif). These are traditional heraldic devices/colors associated with the two nations.

The family tree near the start of the exhibit actually uses these heraldic motifs to mark royal family lines (England red, France blue). But look what happens when Henry V of England and French princess Catherine de Valois bear a child: Henry VI is rendered in alternating red and blue. Reminds me of a line in Shakespeare when the English king woos Catherine and suggests that "thou and I" shall bear a "compound...boy, half French, half English" (Henry V, Act 5.2).

The color-coding gets more complicated in the war chronology: events in English history are listed in blue, events in French history are in red, and events in the shared history of the nations are in green.

This little panel describes pieces of armor worn by soldiers during the period. In the center, a nice little riddle about a chain-mail garment (in parallel translation). Not quite sure why they "re-translated" the word "haubergon" in the French but not in the English.

Insofar as English/French relations are concerned, there seems to be a love/hate dynamic throughout the museum as a whole. The displays often stress solidarity between the Allies during World War II (in this context, the English are clearly friends and supporters of the French), but other materials openly mock the English. This satirical poster mocks "les English" on their way to Transvaal (in South Africa). Above, they cry for glory and victory shouting AO YES! Below, they disembark the ships onto the land, seasick and full of "wisky."

P.S. Just noticed in the royal pedigree that "Edouard" is not anglicized to Edward, but Henry is spelled in the English way (in French it would be spelled "Henri"). Weird.

Heraldry Endures

I visited the Folger Shakespeare Library yesterday and noticed this emblem on the security police uniforms. The Library's security forces have has adopted Shakespeare's family arms as its emblem. In the 1590s, the Shakespeare family was granted permission to use these arms; note that the shield bears a spear (alluding to the name "Shakespeare") and the original arms bore a motto as well: "Non Sanz Droict" [French = not without right]. For more on these arms, see this PBS documentary website.

The use of the Bard's arms invites a number of questions: Is the police badge the modern descendant of the knight's shield? Since Shakespeare has no direct living descendants, are the Folger police force among his metaphorical heirs?